Honestly, “country of origin” will have straight lines drawn on a map that are so far removed from where the people who lived there originally considered their borders even that’s probably not pinning it down well enough.
They’re too poor to have museums so by default yoink
Finders keepers, them’s the rules. Don’t blame me.
Gonna play a game of comment roulette. How far do I have to scroll before I see someone say something like, “That can’t be in their museum because they can’t be trusted with it”.
Spinning the chamber now.
Edit: turns out I wasn’t prepared for what I saw. Now I sad.
on the other hand how often things go missing in the British museum?
Eurotrash gonna eurotrash.
There are occasions when it’s useful.
https://en.m.wikipedia.org/wiki/Destruction_of_cultural_heritage_by_the_Islamic_State
I’m not saying it always is but there are a lot of very unstable places run by people who just don’t care about this stuff. And at the time it was stolen it was either the British museum, someone’s private collection, or the Vatican.
But who made them unstable?
i need someone to convince me why it is wrong to steal from the British museum gift shop
better a museum than on a shelf in someone’s living room (no I won’t be donating it)
This is why I always donate my finished books to my local library. I don’t need them and, if I want to read them again, I can always just go check it out from the library.
They are my human skulls I found them fair and square
-Why there are pyramids in Egypt?
-Because Brits couldn’t moved them to British Museum.
To be fair. Most of the pyramids were raided far before the British took an interest and whatever they held has now been lost to time.
Eh, I meant the whole pyramids but fair enough.
Imagine doing a Gate of Ishtar maneuver but with the pyramids
It’s not quite the same thing (particularly because of the motivation), but, uhh…I suggest you read about Abu Simbel, if you haven’t already.
how to write lists
- Why there are pyramids in Egypt? - Because Brits couldn’t moved them to British Museum.
renders to
- Why there are pyramids in Egypt?
- Because Brits couldn’t moved them to British Museum.
Markdown guide is in the toolbar (?⃝) alongside a button for lists.
Edit: Disregard. They were trying to do quotation dashes.
TIL what quotation dashes are.
Well, that’s the reason why I didn’t write it like that. I wanted it to look like a dash, just like in novels.
By the way, Markdown also takes escape
\
, which is why sometimes the shrugging emoticon is missing left arm.- So this
- also works with spaceSo you don’t even necessarily have to leave out the space.
Apparently there is already a separate symbol for speech dash, which is —. However its keyboard shortcut is obscure and I couldn’t remember it later, but Markdown already covered this it seems. Writing
renders as —, which I’ll do from now on, if I don’t forget about it next time.
So breaking accessibility for the heck of it? How forward-thinking.
How is it breaking accessibility?
Good question: for basic accessibility, structure should be conveyed, which adds
when technologies support programmatic relationships, it is strongly encouraged that information and relationships be programmatically determined
The web supports programmatic relationships through correct markup, so the technique using semantic elements to mark up structure applies, specifically by using ol, ul and dl for lists or groups of links or the markdown equivalent.
If you want to experience this yourself, then put on a blindfold, use a screenreader & compare your “list” to mine.
It doesn’t look like a list to me, but a riddle.
Would putting a Q: and A: in front of them satisfy you or would that send you off on a different tangent of chastising web users on their formatting?
Maybe instead of people needing to apply exacting rules to accommodate an accessibility tech, the tech should get better at interpreting human tendencies of writing. Even today I can write in a non-structured natural language form and a decent chat bot can typically make a reasonable interpretation of it without help.
It doesn’t look like a list to me
Then the
-
weren’t needed.Maybe instead of people needing to apply exacting rules to accommodate an accessibility tech
- Nah, writing a space the conventional way suffices:
-
SPACE list item. Even aesthetically, the plain text looks atrocious without a space there & worse when rendered. - The technology is fine, there was even a button in the toolbar. It’s not that hard to figure out to anyone trying: there’s a preview button & they can edit.
All anyone has to do is (1) follow regular convention or (2) use the technology. Getting this wrong despite the technology & standard convention is less a technology problem & more a user problem.
Edit: I understand what you both meant now: quotation dashes. They’re less common in English, but still correct! Edited my comment above to reflect this. Thanks.
- Nah, writing a space the conventional way suffices:
I don’t have a screen reader installed so I cannot try it but I can guess how it can screw with it. However I agree with Monkey With A Shell here. It’s not realistic for all users to follow semantics, this can only be solved with a better software.
While I use markdown daily, apparently there are still things I don’t know about it. Well, I mostly learn them when I need them but still. So, I could use
—
(speech dash) instead of-
, which I assume wouldn’t cause a problem with a screen reader. There is no way for me to remember its shortcut on the keyboard, but it seems Markdown already covered this withwhich ends up rendered as
—
.Thanks for making me noticing about it, learned something new today.
It’s not realistic for all users to follow semantics
Not realistic for users to write lists the normal way that doesn’t look wrong? I don’t know guys
-first -second -third
looks obviously bad whereas
- first - second - third
looks right. Then you see the rendered result in preview. You also had a button in the toolbar to create a list.
I don’t think this is asking much.
If you weren’t trying to write a list, though, then I don’t know what you were doing & I doubt a chat bot will either: could you link to an example of what you were trying to do? For all you know, I’m a chat bot not figuring out your intent. No technology is about to fix PEBKAC.
I think the bottom line is if you write lists normally, then everything else including accessibility will turn out right without you needing to understand the intricacies.
The museum could pay rent per item to the country the artifacts originate from? Bad idea?
What’s the opinion on certain high risk countries where there’s a high likelihood of the artifacts simply being destroyed? If I remember correctly ISIS and other similar organizations have burned or bombed several historical sites before.
Museums should participate in cultural exchange, if a museum feels under threat then they have channels they can trust to protect their artifacts until they can be returned
if a museum feels under threat
If you run a museum in Afghanistan and are afraid that the Taliban is going to execute you unless you destroy some blasphemous statue, are you going to risk your life to send the artifact to the British Museum, or are you just going to destroy it? Yeah, some heroes will definitely risk their lives, but most won’t.
We have to be extremely wary of people who cite that because it’s so easily used as a justification for artifact theft and can have deep roots in racism.
That’s the question. Where is the line between racism and artifact protection?
Presumably somewhere between racism and artifact protection.
Much like the theft of historical artifacts by the UK et al, ISIS was the result of decades of imperialist meddling by the US. Maybe just leave things be and let the locals work out what they want to do with their land, their people, and the artifacts on it. Offering assistance without strings attached is good, interventions are bad.
It’s like offering to help your neighbor with their yard: it’s acceptable to offer to lend them your mower, but it’s not acceptable to dig up everything on their property, replace it with grass sod, and spray it regularly with herbicides because you didn’t like the look of their local fauna and are afraid the dandelions and clover would spread to your lawn after your first intervention.
Who do you recognize as the authority to make that decision though? If the locals are currently ruled by a terrorist group or Nazis or whatever, do they get to decide? What about the locals that disagree with the government currently in power?
And an answer of ‘if we just didn’t needlessly meddle’ might be the ideal, but it’s ignoring the realities that we have meddled and some countries are unlikely to stop doing so. We have to accept the world we have not the one we wished we had.
ISIS works for usa, so, the answer is kill all yanks
Adults have the right to make their own mistakes?
At the expense of everyone else?
Sadly yes. It’s difficult to accept it. But yes. Like a brother who can make his descisions. Offering help is always an option.
The only opinion that should matter is that of the people the artifacts belong to.
“It’s safer with us” is an excuse that’s been abused by colonizers and raiders for too long.
The only opinion that should matter is that of the people the artifacts belong to.
Which people? The government? So in Afghanistan it’s up to the Taliban? If you don’t trust that the government of a country represents the will of the people, then how do you determine what the people want?
And, again, which people? Is a totem pole in a museum in Canada the property of the Canadian people? Or is it something that belongs to the Haida people, and it doesn’t matter what other Canadians want? If it is up to the Haida, it is up to the Council of the Haida Nation, or is it up to the band the original artist belonged to?
What about a Tatar artifact found in Donetsk? Who gets control over that? Is it the Russians since they occupy Donetsk? The Ukrainians because they used to occupy it? Do you have to study the blood of various Ukrainian people to figure out who has the most surviving Tatar DNA?
If you don’t trust that the government of a country represents the will of the people, then how do you determine what the people want?
You mean most governments?
In many cases there is no owner, they’re from a completely separate culture that happened to occupy the same region in the past.
Many cases
Source: my ass
What if some of the locals want it taken away for protection, but the government wants it destroyed?
There’s no clear ‘owner’ in many cases. I think it places where it’s uncertain, then we should prioritize saving the artifacts over the ones that seek to destroy them.
You will never be able to get everyone to agree on anything and you can’t hold a referendum for every artifact.
So as far as responsibility goes, barring edge cases, it should be left upto the government to decide, as they represent the people.
And tbh, this feels like an argument made in bad faith, because this is such a rare case. No government is going to ask for an artifact back and then destroy it. What happened in afganistan and Syria was a tragedy (they didn’t ask for those artifacts back, they were already there) But that only happened because the previous governments had been destabilized by Russian and American influences. (Iraq war - Isis, Afganistan war - alqaeda)
There’s no clear ‘owner’ in many cases.
Just return it to the country where it was taken from. And I don’t think there are many cases where ownership is vague, most are pretty plain and clear.
then we should prioritize saving the artifacts over the ones that seek to destroy them.
That’s not on you, that’s on their original keepers. Otherwise you are propagating colonial era crimes and justifying them by arguing in bad faith.
P.s.
- Museums have a notorious record when it comes to maintaining artifacts (they aren’t shining beacons of humanity), especially the British museum.
- They also do less than what’s needed to discourage artifact smuggling.
- watch: https://youtu.be/eJPLiT1kCSM
deleted by creator
If you’re suggesting a daring heist at the Smithsonian, I’m in!
Gotta love how the first movie opens with him stealing an idol from an uncontacted Peruvian tribe, and the heroic music swells as he narrowly escapes with spears flying around them.
Granted, this takes place in 1936 and his actions were the norm for the period, but despite coming out in 1981 the movie plays this scene out rather uncritically.
Yeah, but if the tribe made those traps that still work perfectly after hundreds of years, imagine how advanced they must be by now. Dr Jones was probably within miles of a hidden techno utopia and never had a clue.
He narrowly escapes with his life after having the idol stolen from him by his rival, Belloq, who works for the Nazis and actually hired that Peruvian tribe to be his little private army. Belloq then orders the Peruvians to attack Jones and he barely escapes on his hired plane.
Where do you get that he hired them?
The opening scene is them discussing that the tribe would kill them just for being in the area, and then Belloq taunts Jones saying he can’t warn them that he’s scamming them because Jones doesn’t speak Hovitos. No where does it say he hired them.
Scamming them is even worse, no?
He didn’t know Belloq was there until after he had robbed them.
Temple of Doom had way more questionable scenes in it with the banquet, the heroic British soldiers at the end and… Short Round. Did they really have to name him that?
Although the cultists were based on a real group and I actually saw something that looked like the heart thing in an Indian movie, so maybe that’s based on something real as well.
I doubt it.
There are 1.4 billion people. I think there’d be a stereotype about them doing black magic if it was an ever prevalent thing.
To be fair to the movie, it isn’t trying to say all Indians worship dark gods. It’s just depicting a cult that happens to be in India.
When I said “something real”, I just meant a preexisting idea in India. The movie was Baahubali. There was a scene where the villain was trying to reach his hand into the hero’s chest in exactly the same was as the cult leader in Temple of Doom.
The heart thing is not unique to India?
It’s a very common thing to take the heart out by villians everywhere.
More that the hand was open and the figures being pressed directly into the skin, as if he was going to grab the heard directly without cutting it open first. It’s not something you see often as there’s the sternum in the way. I don’t know if there’s some Indian myth it’s based off of or maybe some other piece of Indian cinema. It was a very specific scene, but it’s 5 hours to go though, so I’m not going to be able it quickly.
Countries and borders are an arbitrary concept created during the peace treaty of Westphalia.
Those relics belong to dead people.
Those relics belong to dead people.
No, it belongs to a community. Does something stop belonging to a people if the original creators die? No.
That way nobody owns any land, because it belongs to the amoeba.
Returning the artifacts is meant to be a good will gesture, and a sort of a reparation (in lieu of the actual reparations) for all the horrible colonial era crimes that were propagated not more than even 100 years ago.
Attributing modern concepts of borders to Westphalia is a Eurocentric worldview. What, you don’t think they had the concept of statehood and sovereignty in Asia for at least a few thousand years prior to this?
Countries and borders are an arbitrary concept created during the peace treaty of Westphalia.
Stealing this foolproof argument for when I next apply for a UK visa to go to British Museum. Thanks!
So? It’s their right to do as is with their land. It may not be great (also be cherry picked), but it is their right.
This is the exact reasoning that was given for colonialism and slavery.
“These barbarians can’t take care of themselves, they need civilization and christianity and they need to work for us to have good lives.”
Colonist ass mindset. They’ll destroy their own lands, pollute their environment and then hoard other people’s culture because they don’t want to admit they were shitty in the past.
As an American, we should be shipping our arts out of the country before the current regime decides it’s subversive to the regime and burn it. Especially any art made by minorities, opposition or in places that might get bombed(any coastal city).
And that would be for the Individual Americans to decide, or the institutions.
It wouldn’t have been plundered.
You are assuming that the artifacts such as those held in the British museum solely represent “saving culture” but they also represent the lingering colonial mindset. They weren’t taken away to preserve, they were taken as plunder. LITERALLY.
6:40 <- mark, watch the whole thing if you have the time.
Imagine if Nigeria and other african countries invaded your country, forced you into indentured servitude, spread propoganda and took all the art/artifacts to their country and used the excuse that your president is a fascist douche turd and because of that none of you are worthy enough to handle it. You just can’t be trusted with your own art and then never returned it even after things got objectively better.
Hot take: all artifacts should be located in the most geopolitically stable area possible
Hotter take: un peacekeepers should protect world heritage sites with weapons-free orders
scandalized stare
edit *innocent stare I meant
Karen Allen, the perfect example of aging naturally and radiating beauty.
Petite brunette women with green eyes have always been my thing. I realised recently that is entirely due to Karen Allen.
She isn’t even specifically my type, but her smile in this Indy 4 promo foto
was just absolutely captivating
She has a beautiful smile.
Forgot the zoom on the bottom panels.
Marion, this is a movie made in the 1980s and set in the 1930s, what the hell are you even talking about?
That attitude gets retconed in the great circle.
where he explicitly says that it belongs in a museum and helps locals get their relics to keep safe in their museums. ie, it belongs in their museums.
good game overall
“I liked you better when you were a child I was grooming!”
Marion, you knew when you met me that I came from the mind of George Lucas. It’s not my fault I’m a little fucked up!